“In the world of today, haute couture is one of the last repositories of the marvellous” Christian Dior, 1957

This can be read on the wall as you make your exit from visiting Christian Dior: Designer of Dreams, which currently resides at the V&A until September. It’s an exhibition that celebrates the life and career of the man that started it all and the 6 key creative directors that have followed in his footsteps. It’s exquisite, stunning and breathtakingly beautiful. For anyone who loves fashion and artistry, this is both an education and a history lesson. But not one that will put you to sleep! No no, quite the opposite.

With more than 200 dresses on show this entire exhibition basically became a shopping list of everything I can’t have, but would hyperventilate uncontrollably if I did.

From Dior himself to his successors; when seeing all the pieces displayed so perfectly together I felt there was one common theme that the Dior brand has stayed true too.

The essence of femininity.  

Christian Dior’s iconic ‘Bar Suit’ which he called ‘La Ligne Corolle’

This was first demonstrated with Christian’s ‘Bar Suit’ (designed in 1947 and made in 1955). This ground-breaking outfit embraced ladies curves (and believe me, from seeing this in person if you didn’t have curves back then you were guaranteed them just by slipping on this fantastic tailored jacket). Upon his first fashion show in 1947 where he debuted this design it was immediately dubbed the New Look. Fast forward to creative director John Galliano (1996 – 2011) bringing extravagance and theatricality to the runway and now to the present day with Maria Grazia Chiuri (Dior’s first ever women creative director, can I get an amen?) Chiuri stands for female empowerment and says with her way of femininity “the message, really, is that there is not one kind of women” (quote from Vogue.com).

Quite simply, whether we’re talking 1955 or 2019 – Dior know women and they know how to dress us.

All of us.  

Walking into the exhibition- from the first moment it felt as though it was lifted straight from the pages of a fairy-tale, almost like Disney’s Cinderella and Dior is your fantastical Fairy Godmother. As you turn each corner; almost holding your breath to see what might await you in the next room, the experience made you feel as though you were permanently in a dreamlike state. Honestly, it’s magical! Although not as emotional as Mcqueen’s Savage Beauty (V&A, 2015), It gave me a lot of the same feelings in terms of the thought and care that has clearly gone into each room.

I’ll be honest, there were so many garments in that exhibition I never ever thought I’d have the opportunity to see… that wasn’t just on the pages of a magazine that is (basically a lot of John Galliano- see the photos above for sheer perfection); and clearly from the literal “oohs” and “ahhs” that emerged from everyone else’s mouths around me I wasn’t the only one feeling that way. It was at a moment like that I realised we were all there for the same reason.

WE J’ADORE DIOR.

At £20 a ticket, honestly it was worth every single penny and more (and if you’re wondering, yes you could take photos!) If you are contemplating a visit, unfortunately lovelies the run is currently sold out however (like the Savage Beauty exhibition) they do release a limited number of tickets at the V&A itself. Also, do keep your eyes peeled online as I’ve noticed they have been releasing more tickets for museum lates!

Victoria and Albert Museum 
Cromwell Road
SW7 2RL
Nearest tube station: South Kensington

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